According to FUNKTIONARY:

The Moteasuh Tribe - the miseducated coin-operated buck dancing, sole-shuffling, politically dis-appointed kneegrows who pander to Massah's agenda - Mo' Tea Sir? This tribe of sorry ass kneegrows follow the dictates and even orchestrates the marching bandits of racism white supremacy as spewed forth from the mouthpieces of political power within the borders of the Witches Castle. It's the Condi-Clarence-Powell complex - that is, those who do Massah's bidding as if you weren't kidding yourself that you were doing otherwise. Keep your eyes on the lies, the liars, and the disguise. (see McNegro). 

shenanigger - a Negro (neo-lawn-jockey) who carries out Step-n-Fetchit type activites/actions (shenanigans) for the dominant immoral majority(the psychopathic white power semi-organism), i.e., the Rhodes, Rothschild, Anglo Saxon Zionist power clique, unknowing at the expense of him/herself and knowingly at the expense (sell-out/buy-out) of his people and culture. (See: McNegro, Coin-Operated, The Moteasuh Tribe, Sambo & SNigger).  

Doggy - Uncle Brother—the condition and conditioning which serves you your problem doubling as your very own ambition. 2) a situation such that the fulfillment of the conditions necessary to achieve a desired result produces its failure. 3) the entity that goes by many names, including bank-monopolized capitalism the Spectacle, the Hall of Mirrors and the Looking Glass society, the Mega-machine, Statism, Global Imperialism Scientific Socialism cooperative federalism, corporate religion, and the phallacy of "progress"—the manifestation and embodiment of the tool of the Wallflower Order. 4) any shrewd trickster. 5) Leviathan's Big Brother. 6) the creators of the source code for the global dis-information "system." 7) Dr. Sam and Mr. Brother. 8) the collective name ascribed to inert abstractions that we have given artificial life-support to and unwittingly sanctioned or accorded superiority over life. Doggy is the cultural conditioning system that maintains its hold over all things and all people, even our minds and opinions, by getting us to be informers and informants on each other, by getting us to be the trustees in and of their mind prism prison. Doggy is any and all conditioning, often self-imposed and when necessary involuntarily inflicted, that promotes your belief in illusion (both grand and petit) as a way of life. Doggy creates the conditions wherein an undetected and undeclared war is waged on us directly through us. The result of this on-going psychological war is that you, like many others, willingly destroy your freedom without the possibility of recognizing or overcoming the oppressions of control. The belief in illusion is the agreement to oppression. Doggy is the violent programming we have sustained all of our lives. Doggy wants you to just barely survive—but not to be fully alive—wants you to remain barely alive, but not to fully live. Say Uncle! Bad Doggy. (See: "THEY," Hidalgo, Vampires, Society, Thoughtforms, Crimethlnc., Beasthood, Corporate State, Governments, Uncle Sam Wallflower Order, Cell, The Collective, Fishbowlers, Big Brother & "Greater System")

MORE TEA SIR? Black columnist Natalie Hopkinson pointed out that Spike Lee’s newest shitty movie “missed an opportunity to do a deep dive into how police brutality and white supremacy are linked.” Naturally, this is so because he is an obedient, coin-operated negro who has no idea of what racism white supremacy is and how he is an active participant in his own servitude. Now that he has paid his dues with various SNiggering episodes his white supremacy/corporate police state rewards are due.

Spike Lee's politics always involve an appeal to the moral suasion of racists. His latest project to transform racists is a film called Black Klansman. Like many confused victims of racism/white supremacy Spike Lee does not discuss white supremacy as racism. He mostly complains that racism is about bad attitudes & behavior, stereotypes and inconveniences to Black people. He is often showcased to confuse bigotry with racism. Hence his pathological goals are a moral quest for respect from racists and for more kinder & thoughtful white people - towards those ends he apparently seeks to change racists with his movies - as they seem to be the indirect target of his messaging. To unconfuse victims like Spike, Neely Fuller explained,  

"Most white people hate Black people. The reason that most white people hate Black people is because whites are not Black people. If you know this about white people, you need know little else. If you do not know this about white people, virtually all else that you know about them will only confuse you."

Yet his entire quest is for better treatment from elite racists - like a child demanding to be treated like an adult or a butler desiring more respect from boss or Tonto wanting more responsibilities from Lone Ranger or a prisoner petitioning his warden for more privileges in the jail. Such expectations look to strengthen and compliment said unequal relationships. They also flatter elite racists. It is our role in the white-over-Black relationship that must be dropped altogether. Our role itself empowers racists. Asking master "to do the right thing" misses the point entirely. At this point in history said goals are entirely pathological and perhaps even a sign of a mental disorder. The master-servant relationship must be destroyed, not updated and refined. 

Spike Lee is also a SNAG [snitch ass negro aiding governments]. Recently he worked as a paid consultant for the NYPD to create a propaganda campaign to sell Black people the necessary illusion - 'cops are not here to harm you but to protect you.' [As explained by FUNKTIONARY if you put money in a coin operated negro, he will spouse the view, ideas, thought forms, vision or ideology of the customer.’] Earlier this month, Spike further expanded his usefulness to the system of racism white supremacy by using the word “boycott” interchangeably with what is nothing but his own individual consumer choice not to purchase certain products. In a cowardly move he attacked Gucci over its blackface advertisement and shied away from commenting on the ongoing controversy surrounding the racist suspect VA governor’s lies and ratification of his blackface/klansman photo.

His movie up for Doggy’s rewards was a pro-authority propaganda piece. Writer-director Boots Riley took to Twitter the day after “BlacKkKlansman” opened to question the nature of the film’s narrative.

“After 40 years of cop shows and cop movies, did we really need one more movie where it’s supposed to be about racism but the cops are the actual heroes of the film and the most effective force against racism?” Riley asked. The director noted his tweet was a “rhetorical question,” indicating the answer is “no.” [MORE] “It’s a made up story in which the false parts of it to try to make a cop the protagonist in the fight against racist oppression,” he writes. “It’s being put while Black Lives Matter is a discussion, and this is not coincidental. There is a viewpoint behind it.”

“For Spike to come out with a movie where story points are fabricated in order to make a Black cop and his counterparts look like allies in the fight against racism is really disappointing, to put it very mildly.” [MORE] 

Natalie Hopkinson wrote, “Black Klansman seems to back the argument of the Blue Lives Matter campaign; this countermovement to Black Lives Matter argues that it is actually officers [not Black people and other non-whites], armed with state power and money, that should be “a protected class” amid growing calls for police accountability.

The fictionalized flourishes within the movie gave the police more credit than they deserve for challenging the racism among their ranks. There’s a moment toward the end of the end of the film in which the entire Colorado Springs Police Department conspires together to oust a racist officer from within their ranks. There’s laughter and clapping and general merriment as the routine harasser is exposed and yay! The police save Patrice, the lead black woman again; first from a car bomb, now from police brutality.  

Meanwhile, the film never acknowledges the cause Patrice was fighting for in the first place: the liberation of black people from a police state. Her valid complaints fall on deaf ears, and there’s nothing in the film that indicates that the Colorado Spring Police Department will stop trying to subvert her organizing. The movie lets the police off the hook for the damage they did in surveilling black people just trying to survive. Because how can we criticize the heroes who save the day?

This light-hearted portrayal of the police in the film is dangerous messaging at a time like this. “BlacKkKlansman” presents a narrative that ignores the fact many local intelligence units who cooperated with federal surveillance sabotaged black communities. Today, real-life law enforcement is still using more resources on people fighting racism than the racists themselves.

The portrayal of police makes those protesting law enforcement in the film and in real life appear as though their problems are merely in their heads and not real lived experiences with violent and volatile police. What on earth could the undercover officer’s love interest have to complain about when cops are taking down white supremacy and literally saving her life? Lee, who has been widely criticized for taking money from the New York Police Department to work on an ad campaign, missed an opportunity to do a deep dive into police brutality in favor of a portrayal of the police as heroes, taking down corruption and racism from the inside out. 

Meanwhile, instead of examining the ways in which the white nationalism depicted in the film and police brutality are linked, Lee gives us cartoonish depictions of the KKK members as bumbling idiots. They are so laughably stupid that it’s actually entertaining to watch them fumble through a plot to kill a black woman and her activist group. It is all good fun, but it kind of made me feel like I did back in 2016, when everyone went to sleep laughing at the joke of a political campaign only to wake up in an actual nightmare.

The portrayal of those silly Klansmen rang false when I recall being 10 years old, confused, scared to walk outside my door, fearful of my new neighbors in Beech Grove, Indiana, who seemed offended at each bit of oxygen that I had the nerve to breathe. These weren’t people who bumbled their way through Klan meetings. They were the kind of people who taught me 6th-grade social studies. They are the kind of people who supported a unrepentant racist to have the highest office in the land. They are the people who have looked the other way as people die in Puerto Rico, human children are kidnapped and caged, whole religions and regions are demonized, and who support a legal structure that forces women to have babies. 

They are people with really dangerous ideas about people who looked like me. They are people with actual power, and there’s nothing silly or funny about that.” [MORE]