No Need for Blackface Anymore b/c Elite Racists Have Created an Army of SNiggering Negro Rolebots to Showcase as "Entrainment" in “The Spectacle"

Mainstream media is mind control and part of white supremacy is the annihilation of Black self respect. As explained by Amos Wilson, "the most powerful obstacle against the liberation of Afrikan peoples from White domination and exploitation is not the ability of Whites to use superior military or police firepower or their threat to use it against Afrikan insurgency, but is their ability to engage in unrelenting psychopolitical violence against the collective Afrikan psyche." [MORE] 'Their devastatingly ingenious use of it against the minds of Afrikan peoples which represent the greatest threat to Afrikan survival.' [MORE] 

Undeceiver Dr. Blynd explains that said strategy is carried out through propaganda and propagenda or a means of predictive programming for accepting someone’s agenda as their very own.

There is no need for blackface today. Through the refinement of racism white supremacy elite racists have created an army of “Showcase Blacks” or rolebotic negros to SNigger, bounce or probotically parrot their masters in service of white domination and subservience to authority. “A role-bot merely plays the role of the mask - the personae - society issued and approved.” "Showcase Blacks" are high-profile blacks that are constantly paraded before the public. They may be political dignitaries, pro athletes, entertainers, educators, business people, judges or elected officials. They are a necessary illusion of the media, which Dr. Blynd calls  a "mind shampoo"- helping to shape the thoughts and understandings of non-white people. Anon explains their purpose is to mask the REALITY of being black in America. [MORE] They also function to assist in the further falsification of Afrikan consciousness, maintaining Black people in a state of deception about the actual context in which they live - a system of racism white supremacy and corporate police state - and function as rolebots used to foster cooperative control and imaginary social relations Blacks and other non-whites have with whites, themselves and Government.

The end product is a mind filled with lies, non-realities and self-hatred. FUNKTIONARY explains, “Entertainment is mental masturbation bringing you to indoctrination—coming into your (five) senses. The goal of entertainment is entrainment—to rot the minds of the populace—that is, what's left of them.” Dr. Amos Wilson explains, "consciousness is the premier instrument of social control. Those who represent and exercise societal and cultural authority seek to shape and direct the conciseness of each of the society's and culture's members in ways which maintain their integrity and advance their interests." [MORE] Osho elaborates, 'the conscious is cultivated by the society, it is a conditioning. The conscious means society inside you. It is a trick of society. This created mind creates a prison around you.' [MORE] Our manipulated consciousness renders Blacks and other non-whites “pliable to White authoritarian/authoritative social control with minimal resistance; which induce Blacks to accept their subordinate status as natural, perhaps actually to misperceive their oppression as freedom."

Thus, with the showcasing of such rolebots the refinement of racism white supremacy has no further use for Blackface. They have priceless value to racists in the system of racism white supremacy and are rewarded handsomely for their activities. Nevertheless, as the creations of elite corporate & governmental racist suspects, they are rewarded & punished for their conduct and are all essentially disposable, interchangeable and easily replaced.

HA HA HA. Sambo entertainer jokes about slavery. Walking corpse, go fuck yourself.

Among other things a SNigger is a traitor. Naturally people go out searching for the world presented to them on TV, movies, other media, text books, etc during a life-time of indoctrination. People also imitate what they have seen and seek to fit in or conform with the crowd as they depend on and fear the opinions of others similarly affected. Unlike back in the day, there are literally thousands of showcase Blacks who are being showcased by elites on various entertainment and sports media outlets - playing their roles for us to emulate and showing us how to relate to one another. Anon states that the constant stream of buffoonery and childishness in “The Spectacle” from Black entertainers “make it harder for every black man, woman, and child to get respect at home, at work, on the street, in the courts, at the mortgage company, and at the hands of law enforcement.

By supporting and defending black "entertainers" who degrade black people for profit, WE are making life harder for every black male who applies for a job and is denied one because he has been stereotyped as an irresponsible fool before he opens his mouth. WE are making life harder for our black mothers, daughters, wives, and lovers to get the respect they deserve, when they are publicly referred to as "bitches" and "hos" by us. Yet we — black people -- demand respect as "black people" even when it is obvious we DO NOT RESPECT ourselves?" [MORE]

According to FUNKTIONARY

The Spectacle - a constructed reality; the concrete inversion of life; via the autonomous movement of the apparently non-living. 2) the mirrorization of the noumenon into the phenomenal universe without understanding or overstanding it as such an objectivization in duality. The Spectacle is not a collection of images but a social relation among people mediated by images. The Spectacle is a theoretical construct—a tool for explaining many things about society; how people live vicariously through the dominant images of production, consumption and power relations. It is the thoughtfofms in which people create, contemplate and consume mediated by images of what-life-is, so that they will forget how to live radically for themselves. It is the totality of images and illusions that alienate people from living, its the primary production of modern societies. It is ideology materialized. It is the social relations that are mediated by the mass media; it is what makes people apathetic and reduces them to inactivity. It is what prevents people from realizing what their collective problems are and dissolving them. It is what perpetually absorbs people into activities that prolong their misery. It is the mediated stream of unreality that channels desire-energy against itself, producing a separate world, a pseudo-world apart form one's self-history—from all those powerful institutions of Self-actualization. It is what motivates people to live a pseudo-life in submission to products and machines, basking passively in the acceptance of oppression, to blindly do what is manifestly against their own self-interest, to pollute the land they love and the air they breathe—it is a fundamental sickness of modern societies superimposed over and aided by the "Rolebots" (clones and drones) of Corporate State. It is the mass media and the propaganda from the pure war machine and the military prison industrial police state complex. It is Doggy, the double-bind of not knowing real from unreal, (hypereal) or what you say from what you want. It is the mass objectivization and unholy marriage (union) of the Beasthood with the Syndrome, leaving people fragmented, separated, isolated, alienated, fascinated, pixelated, dilated, intimidated, exasperated, mediated, concatenated, weak, docile, dependent, submissive and uncritical. ''The Spectacle is the ultimate commodity in that it makes all others possible." -Scott Bukatman. "Without the slightest hint of suppression or intolerance, the spectacle ensures that the appearance of real dissent precludes its real appearance." -Sadie Plant. (See: PIC. Commodity, Screen, Maya, Pseudolife, The Passing Show, Rolling Mirror, MEDIA, Materialism, Funktionalize, F-Prime, Meta-Frame, Naive Realism, "Dream," Trance, Emergency, Consumers & Doggy)

Entertainment Criminals - the Media Mafia. If you give them your attention, you give them your power, unless you can observe the Spectacle without involvement, consumeristic demand or mindless attachment to a virtual world. [MORE]

Negro - a man or woman of Afrikan descent living in pathological mental state of cultural abstinence and historical amnesia— one who wants to impress his or her oppressor while ignoring the effects and plight that his or her accommodationist posture inures. 2) a Hanky-head. 3) an indigenous-to-the-land (American) Afrikan who does everything in his or her power to suppress or pretend that he or she is other than someone of recent Afrikan descent. 4) ethnicity-denying, assimilated and confused Afrikans indigenous to America. 5) one who truly believes he or she is white American—masquerading in black face. Mirror, mirror on the wall, who's a Negro after all? (See: Snigger, Rentellectual, McNegro & Negropolitan)

shenanigger - a Negro (neo-lawn-jockey) who carries out Step-n-Fetchit type activites/actions (shenanigans) for the dominant immoral majority (the psychopathic white power semi-organism), i.e., the Rhodes, Rothschild, Anglo Saxon Zionist power clique, unknowlingly at the expense of him/herself and knowlingly at the expense (sell-out/buy-out) of his people and culture. (See: McNegro, Coin-Operated, The Moteasuh Tribe, Sambo & SNigger). 

SNigger ---a sold-out snitching-smiling Sambo-Negro. 2) a South-Bender offender. SNiggers smile for nothing except an empty mind while selling-out their own kind. They typically have an intellectual base yet are devoid of intelligence, thus promoting the on-going smiling face. They also often giggle and have a frivolous conception of society and scant knowledge of the vestiges of the trans-Atlantic slave trade that even brought their sorry-ass selves to shore. SNiggers are traitors and pawns of the downpressors. Watch the company you keep!

sniggering - 1) the modus vivendi of opportunist (sell-out) compromises. 2) the actions of SNiggers. (See Coin-Operated).