Wouldn't it be great if we could
require television producers to undergo some diversity training?
Reality show mastermind Mark Burnett would be forced to attend some
kind of fantasy camp where he's forced to populate his entire
``Apprentice'' cast with African-American women. He might realize that
they come in flavors other than ``crazy lying bitch'' (season one
villain Omarosa), ``just plain crazy'' (season two scapegoat Stacie J)
and ``crazy and lazy'' (season three quitter Verna). Producers of
dramas and comedies set in large cities could get some behavioral
training - they could practice opening and closing their eyes and
rotating their necks - to help them see that people of different races,
religions and sexual orientations are often the stars of their own
lives. They're not just funny sidekicks, terrorists and stylists to the
good-looking, straight white people sharing the city streets. If you
watch prime-time television searching only for characters of different
races, religions and sexual orientations, it's easy to understand why
some political groups are so upset. In 1999, the NAACP blasted the
scarcity of black faces in prime time, except as pimps and perps. In
2003, Hispanic groups bemoaned the Mexican drug lord series
``Kingpin.'' Recently the Council on American-Islamic Relations took
aim at ``24'' for employing a Turkish Muslim family as a sleeper
terrorist cell. The problem isn't that the television landscape is
dotted with Islamic terrorists, Mexican drug dealers and maids,
African-American criminals and flamboyant homosexuals. What's troubling
is that the stereotypes are often the only time you see minorities on
the tube. [more]
Multiracial ads gloss over ethnic
realities.About 80 percent of whites live in neighborhoods in which
more than 95 percent of their neighbors also are white, and data show
that most Americans have few close friends of another race, Gallagher
said. [more]